DCP mastering 2D/3D фильмов

The Cinema Sound Production Studio offers a full set of DCP (Digital Cinema Packages) mastering services, generating of DKDM (Distribution Key Delivery Message) for theatrical services, cloning of HD discs, and subtitling

Technical requirements to the materials for DCP:

– j2c sequence
Frame rate: 24,00  frames/second
Scope (2048х858p)
or
Flat (1998х1080p)
– Tiff  sequence
Frame rate: 24,00  frames/second
Scope (2048х858p)
or
Flat (1998х1080p)
– MP4
Frame rate: 24,00  frames/second
Pixel Aspect Ratio: Square Pixels (1.0)
Scope (2048х858p)
or
Flat (1998х1080p)
– MOV
Frame rate: 24,00  frames/second
Pixel Aspect Ratio: Square Pixels (1.0)
Scope (2048х858p)
or
Flat (1998х1080p)
– MXF
Frame rate: 24,00  frames/second
Pixel Aspect Ratio: Square Pixels (1.0)
Scope (2048х858p)
or
Flat (1998х1080p)

 

Audio:

Bit Depth: The bit depth shall be 24 bits per sample.
Sample Rate: Irrespective of the associated image frame rate, the audio sample rate shall be either fortyeight or ninety-six thousand samples per second per channel, commonly expressed as
48.000 or 96.000 kHz. At 24 FPS playback, there are exactly 2,000 audio samples per frame for 48.000 kHz and exactly 4,000 audio samples per frame for 96.000 kHz.
Channel Mapping:
Stereo / 5+1 / 7+1

DCP Digital Cinema

Digital Cinema technologies help to distribute and screen films in movie theaters in the DCP (Digital Cinema Package) theatrical format. DCP files are sent on hard or optical discs, as well via high-speed satellite channels. The content is projected with the help of special players and digital projectors.

Technological side:

The purpose is to improve the quality of image and sound, enable the control and management of screenings in many movie theaters. The material must be encrypted and safe distribution must be secured. The image is saved in JPEG200 (.j2c) format using CIE XYZ color space. One of the main problems while mastering is high-quality conversion of the master DI (Digital Intermediate) into the XYZ color space. The main task, same as with the classical DI, is to present the content to the cinema audience the way it what was designed during the DI process. The sound is saved in the Broadcast Wave (.wav) format 24 bits and 48 kHz or 96 kHz. It is possible to add audio tracks in different languages. It is possible to add subtitles in different languages.

  • DCP mastering of 2D/3D movies
  • Coding of trailers and promo videos
  • Generating individual KDMs for each server
  • Copying HD films to be screened in movie theaters
  • Subtitling

Our works - DCP →